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THE SUSTAINABLE ARTIST. 2019.

Each 220 x 110 cm. Acrylic transparent film on stretcher.
Represented by Gallery 422 at the PARALLEL Vienna.
Photos © Marcel Steinmann.

 
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SCREENSHOT. 2019.

With painting and screenprinting edited screenshots of a digital live drawing performance.
Each 20 x 30 cm. Acrylic (rolled, painted, screenprinted) and clear-paint (partially rolled) on canvas.

 
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SCREENSHOT. 2019.

Video of a digital live drawing.
Digital Drawings, Visuals: Florian Nitsch
Drums, Audio-Tools: Bernhard Breuer

 
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SALUT MES AMIS DE LA GENDARMERIE. 2019.

Intervention in public space, Porte de Flandre, Brussels.
Idea / Concept / Painting: Florian Nitsch
Camera: Loic Sturani
Accomplice: Benno Steinegger
Music: Taugenixe, Mes Amis de la Gendarmerie, Reggae Ron/Ariwa Sounds 1984

 
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ÉGAL. 2019.

300 x 400 cm. Acrylic, marker and ink-jet-prints on transparent film.
Created as Artist in Residence at the Knust Festival Brussels.
Photos © Florian Nitsch, Knust Festival.

 
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ÉGAL meet TREPKODOUNÉ. 2019.

Dance-Performance created during a collaboration between Trepkodouné and Florian Nitsch at the Knust Festival Brussels.
Performance / Dance / Choreography: TREPKODOUNÉ (Yumi Osanai & Boryana Todorova)
Painting / Installation / Scenography: Florian Nitsch
Sound: Muslimgauze, Catacomb Dub, Lo-Fi India Abuse/BSI Records 1999

 
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ÉGAL. 2019.

130 x 180 cm. Acrylic, marker and ink-jet-prints on paper.
Created as part of the European Balkony Project initiated by the European Democracy Lab (Ulrike Guérot and Robert Menasse).
www.europeanbalconyproject.eu

 
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GOLD. 2018.

200 x 280 cm. Acrylic, marker and ink-jet-prints on paper.
Created during a performance about Artmarket & Money.
Photos © Jorj Konstantinov.

 
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VIRTUALLY IMPOSSIBLE. 2018.

Performance w/Bernhard Breuer, TodaysArt Festival. The Hague, Netherlands.
Digital Drawings, Visuals: Florian Nitsch / Drums, Audio-Tools: Bernhard Breuer
Videocredits: Tanja Busking I Videography & Media Design

 
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FLO‘S MEDUSA. 2018.

1,1 x 3,75 x 7,5 m. Structure with 12 pictures, 3 baseplates and construction-parts.
Each picture 160 x 110 cm, acrylic and marker on transparent film on stretcher.
Gallery Bildraum 07 Vienna. Photos © Eva Kelety.

 
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FLO‘S MEDUSA. 2018.

220 x 320 cm. Acrylic and marker on transparent film on stretcher.

 
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FLO‘S MEDUSA (LOUVRE). 2018.

1,1 x 5 x 10 m. Structure with 20 pictures, 4 baseplates and construction-parts.
Each picture 160 x 110 cm, acrylic and marker on transparent film on stretcher.
Grenzkunsthalle Jennersdorf, Austria. Photo © Marcel Steinmann.

 
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FLO’S MEDUSA. 2018.

Each 160 x 110 cm. Acrylic and marker on transparent film on stretcher. 

 
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FLO’S MEDUSA (MODEL). 2017.

50 x 100 x 10 cm. Acrylic and marker on transparent film on cardboard.

 
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RECTO VERSUS VERSO. 2016 - 2017.

Paintings: 160 x 110 cm  /  110 x 160 cm  /  110 x 80 cm / 80 x 110 cm.
Objects: 110 x 110 x 35 cm  /  110 x 110 x 55 cm / 110 x 110 x 75 cm.
Acrylic and marker on transparent film on stretcher (on stands).
Krinzinger Projekte, Vienna 2017. Photos © Marcel Steinmann.

 
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THINK PIG! 2017.

190 x 270 cm / 130 x 190 cm / 95 x 135 cm.
Acrylic (rolled, screenprinted) and marker on canvas.
Created as Artist in Residence at Guttenberg Arts NYC.

 
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THINK PIG! 2017.

Each 112 x 77 cm / 77 x 112 cm.
Acrylic (rolled, screenprinted) and marker on paper.
Gallery Guttenberg Arts NYC 2017. Photo © Matt Barteluce.

 
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RECTO VERSUS VERSO. 2016 - 2017.

160 x 110 cm  /  110 x 110 cm  /  110 x 80 cm.
Acrylic and marker on transparent film on stretcher.

 
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BIERAUFBÜTTEN. 2016.

Performance, Studio, Vienna. Photos © Marcel Steinmann.

 
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BIERAUFBÜTTEN. 2016.

Paper: 40 x 30 cm. Image: 23 x 13 cm.
Dry-point on beer-can, printed on handmade paper.

 
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W(H)O IS WU? 2015.

Between 10 x 15 and 30 x 40 cm.
Acrylic and marker on photographies by Fariba Mosleh, Chen, Dai-Roo and Chi, Erh-Hsuen.
Waley Art Gallery, Taipei 2015. Photo © Fariba Mosleh.

 
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W(H)O IS WU? 2015.

Between 10 x 15 and 30 x 40 cm.
Acrylic and marker on photographies by Fariba Mosleh, Chen, Dai-Roo and Chi, Erh-Hsuen.

 
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